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真係唔敢相信《THE PEOPLE UNITED》已經過咗一個星期!仲覺得好似係尋日咁!你對音樂會最深刻嘅部分係邊一段?

呢場音樂會嘅構思係一場連貫嘅體驗。所以我決定唔印音樂會節目單,只有digital program,唔單止係為咗節省紙張,亦避免觀眾睇住張紙張去搵曲目名同英文翻譯。相反,我喺大螢幕上展示詞語雲,喺聽眾腦海中引發畫面。我想觀眾直接感受演出本身,而唔係試圖理性理解每個表演。

第一部分和第二部分的視覺設計從抽象畫面開始, 變化節奏開頭較慢,隨著節奏逐漸加快,直到最後展示出來自真實抗爭和革命的照片。尤其是第二部分,視覺效果從較為表達性和含蓄的畫面開始,逐漸演變到 RubberBand 的《漫長》裡畫作展示的內容直接喚起 2019 年發生的具體事件:7.21、8.31、中大、理大,最後在《香港狂想曲》展示了《 因為愛所以革命 》裡的照片,帶觀眾回到 2019 年,推向全晚高潮。

希望你喺嗰晚有次終生難忘嘅經歷,唔會忘記我哋嗰晚嘅團結,並且讓呢股團結嘅力量滲透你未來嘅生命。

Photos by Blossom Hong Kong Lennon Walls 香港遍地開花連儂牆 and IG @yu.artww

Performers in photo: Loretta Lau, Ricker Choi

Visuals by Loretta Lau and Ricker Choi, and carrot

Photos from 2019 from 因為愛所以革命 Love in the Time of Revolution

Barricade by Raymond Chan



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真係唔敢相信《THE PEOPLE UNITED》已經過咗一個星期!仲覺得好似係尋日咁!你對音樂會最深刻嘅部分係邊一段?

呢場音樂會嘅構思係一場連貫嘅體驗。所以我決定唔印音樂會節目單,只有digital program,唔單止係為咗節省紙張,亦避免觀眾睇住張紙張去搵曲目名同英文翻譯。相反,我喺大螢幕上展示詞語雲,喺聽眾腦海中引發畫面。我想觀眾直接感受演出本身,而唔係試圖理性理解每個表演。

第一部分和第二部分的視覺設計從抽象畫面開始, 變化節奏開頭較慢,隨著節奏逐漸加快,直到最後展示出來自真實抗爭和革命的照片。尤其是第二部分,視覺效果從較為表達性和含蓄的畫面開始,逐漸演變到 RubberBand 的《漫長》裡畫作展示的內容直接喚起 2019 年發生的具體事件:7.21、8.31、中大、理大,最後在《香港狂想曲》展示了《 因為愛所以革命 》裡的照片,帶觀眾回到 2019 年,推向全晚高潮。

希望你喺嗰晚有次終生難忘嘅經歷,唔會忘記我哋嗰晚嘅團結,並且讓呢股團結嘅力量滲透你未來嘅生命。

Photos by Blossom Hong Kong Lennon Walls 香港遍地開花連儂牆 and IG @yu.artww

Performers in photo: Loretta Lau, Ricker Choi

Visuals by Loretta Lau and Ricker Choi, and carrot

Photos from 2019 from 因為愛所以革命 Love in the Time of Revolution

Barricade by Raymond Chan

BY 香港抗爭回憶藝術




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